Fired from her lackluster job as an adjunct professor of writing, and on the verge of needing to move back in with her parents, Zelu has lost control of her life. Because she’s disinclined to pick up the pieces in a way that will satisfy her family, a Nigerian American dynasty for whom being exceptional is considered merely ordinary, she turns instead back to her writing. What comes out of those dark moments is a piece of science fiction set in the aftermath of humanity’s extinction. Upon publication, the novel captures the entire world’s imagination, quickly becoming a bestseller and almost immediately being optioned as a movie. But the consequences of Zelu’s meteoric rise aren’t all so dreamy. As they ripple out, they change her life forever, causing her to rethink her relationship to her writing, her family and even her own body.
Death of the Author, by acclaimed science fiction writer Nnedi Okorafor (Who Fears Death), is comfortable straddling the line between genres. Okorafor explores the dynamics Zelu experiences as a disabled Nigerian American author from the south suburbs of Chicago, rendering familiar experiences with remarkable specificity, pulling us in so that we understand Zelu’s truth, warts and all. As the book shines on a literary level, so, too, do its science fiction elements. In a metafictional twist, Okorafor peppers in chapters from Zelu’s bestselling novel with increasing frequency as the story progresses. Beyond being interesting in their own right, the chapters give us a lens through which to see Zelu more clearly—and influence the course of her journey. A remarkable exploration of storytelling, fame and the Nigerian American experience, Death of the Author surprises all the way to its brilliant ending.
Read our interview with Nnedi Okorafor about Death of the Author.
